Monday, October 18, 2010

Block prints used by various designers




The Resist Process called Dabu is used here involves using wax or gum clay mixed with resin. With the help of brush or block or by hand this is applied to the portions of the cloth. The color is then applied to it. The wax is then washed off in hot or flowing water and the applied colour moves into this area to give a diffused effect. This process is some what similar to the batik procees. Now Block printing is done on the portion of the cloth where the original colour is retained. The fabric is highlighted by printing Specific outlines and patterns against the contrast colour. Due to the use of wax the designs get a broken appearance like batik due to the leakage of colour once the resist is washed off. The small Chaubundi print in indigo is famous in Bagru.


Dyes used in the Process : Vegetable Dyes and Kashish Dyes


Products Available : Chanderi Stoles and Dupattas, Mangalgiri Salwar Suits and Sarees, Maheshwari Salwar Suits and Sarees, Tussar Salwar Suits and Sarees, Georgette Sarees, Chiffon Sarees, Printed fabrics in Khadi cotton and Khadi Silk, Printed Cottons in Voile and Sheeting.

Hand Block Printing - Ajrak of Rajasthan

In Rajasthan, there are sandy stretches of desert where a unique method of cloth-dyeing prevails. The technique is called Ajrakh and the print is in dark shades of blue and red with geometrical patterns on both sides of the fabric. The technique is a complicated one and the steps include preparatory washing, application of mordant, resist printing, de-gumming, and dyeing. The resist substances used are gach (a mud resist) and kariyana, which is a mixture of the gum of the babul tree and chuna or lime. The lime provides a smooth texture and prevents the resist from cracking.

After the final dyeing the cloth is sun-dried. It is dipped every night in a cow-dung solution and kept under a stone all night. Washing is done the next morning in the river and the drying is done on the sand. When half-dry, water is sprinkled on the cloth continuously. On the third day, the cloth is finally washed in the river, brought to the work-place and dried.


Hand Block Printing - Kalamkari of Andhra

Kalamkari is the earliest and more complex techniques of block-printing on cloth using vegetable dyes. This flourished at Masulipatnam in Andhra Pradesh. The origin of the word kalamkari is from kalam or pen and kari or work. The kalamkari done here is a mixture of painting and hand-printing. This craft was started in the old city of Golconda after which it spread along the eastern coast up to Tamil Nadu. Originally known as Coromandel chintz, the textiles produced here are famous the world over.

The process followed is complex and intricate, and the blocks used are made by specialist artisans. These blocks have very detailed and elaborate designs carved on them. The fastness of the colours is ensured by washing, bleaching, and sunning. Mordants like alum are used to fix the colours onto the cloth. Wax is used as the resist agent when a combination of colours are used to embellish different parts of the design. The wax-resist is hand-printed on to the fabric with a kalam or pen made of an iron loop attached to a bamboo stick. This step is done before the application of indigo. After the wax is removed by boiling, other colours are applied. The detailed colouring is done with a brush. Running water is used for washing and the process takes several days, weeks, or months depending on the length of the cotton cloth.

This craft reached its zenith during British rule and was also in high demand as dress and furnishing material in Europe and Southeast Asia. The motifs used were floral and animal designs. The Persian influence on the designs is visible: ornamental birds, flowers, creepers, and mehrabs or archways found chiefly in Mughal architecture are common.

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